information-evaluation
Evaluating online information for credibility, accuracy, and context. Covers the SIFT method (Stop, Investigate, Find, Trace), lateral reading, reverse image search, primary source verification, and common misinformation tactics. Use when assessing the trustworthiness of a web page, article, video, social media post, or any digital claim before relying on it or sharing it.
git clone --depth 1 https://github.com/Tibsfox/gsd-skill-creator /tmp/information-evaluation && cp -r /tmp/information-evaluation/examples/skills/digital-literacy/information-evaluation ~/.claude/skills/information-evaluationSKILL.md
# Information Evaluation Information evaluation is the discipline of deciding whether a piece of online information deserves your belief, your share, or your further attention. On the open web there is no gatekeeper: anyone can publish, anyone can amplify, and anything can look professional. The practical question is never "is this true?" in the abstract but "how much weight should I put on this before I act?" This skill catalogs the evaluation techniques that produce reliable answers quickly, grounded in the work of Mike Caulfield (SIFT), Sam Wineburg and Sarah McGrew (lateral reading), and the fact-checking community. **Agent affinity:** rheingold (crap detection, net smart), palfrey (source analysis), noble (algorithmic framing of what you find) **Concept IDs:** diglit-source-credibility, diglit-fact-checking, diglit-misinformation-tactics, diglit-search-strategies ## The SIFT Method Mike Caulfield's SIFT method is the most important evaluation framework taught in undergraduate information literacy courses. It is designed to take 30-90 seconds per claim, which is the only time budget most users actually have. | Step | Action | What it replaces | |---|---|---| | **Stop** | Recognize the claim and pause before reacting or sharing | Reflexive engagement | | **Investigate** | Check who is making the claim and their track record | Trusting the surface presentation | | **Find** | Look for better coverage of the same claim | Reading only the first result | | **Trace** | Trace claims, quotes, and media back to their original context | Accepting mediated or stripped versions | ### Stop The first move is not analysis -- it is a pause. Your emotional reaction to a headline or image is evidence about you, not about the claim. If a post makes you furious, delighted, or indignant, that is precisely when you should slow down. Strong emotion is the signature of content optimized to spread, and optimization for spread is not the same as optimization for truth. **Practical gesture:** Before engaging, ask "do I know enough about this source to evaluate this claim right now?" If no, you proceed to Investigate. If yes, you proceed to Find. ### Investigate the source Do not trust a source because its site looks professional. Modern web templates make any blog look like a newspaper. Instead, ask what others say about this source. **The lateral reading move.** Open a new tab. Search the source's name (not the content of the article). Read what independent sources say about them. Wikipedia, MediaBiasFactCheck, NewsGuard, and established fact-checking organizations are better starting points than the source's own About page. ### Find better coverage Your goal is not to decide whether this specific article is true. Your goal is to decide whether this claim is true. Search the core claim in a search engine and see who else is reporting it. If no established sources are reporting it, that is evidence against -- not proof against, but a strong signal. ### Trace claims, quotes, and media Online content is almost always mediated: a screenshot of a tweet, a clip of a video, a summary of a study. Find the original. Then ask: (a) does the original say what the summary claims? (b) is the original in context? ## Lateral Reading Sam Wineburg and Sarah McGrew's 2017 Stanford study compared how professional fact-checkers, historians, and undergraduates evaluated a set of web claims. Fact-checkers were vastly better -- not because they knew more, but because they used a different movement pattern. **Vertical reading** (what students did): Open the page, read it carefully, look for internal signals of credibility (author bio, site design, citations). **Lateral reading** (what fact-checkers did): Open the page, glance at it, open five other tabs to check what independent sources say about this source and this claim. Vertical reading assumes the document is honest. Lateral reading assumes you need external context. Lateral reading is faster and produces dramatically more accurate judgments. **The rule of thumb:** Never evaluate a site using only the site itself. ## Reverse Image Search Images are among the most common vectors for misinformation because they feel like evidence. They are usually not what they claim to be. A flood photo from 2011 gets recirculated as a 2023 hurricane. A protest image from Turkey is labeled as being in France. **Tools:** Google Images (reverse search by URL or upload), TinEye, Yandex Images. Yandex in particular is strong on faces and non-Western content. **The workflow:** 1. Right-click the suspect image, "copy image address," or save it locally. 2. Paste or upload to a reverse image search engine. 3. Sort results by date (oldest first). 4. The earliest appearance usually reveals the real origin. If the earliest appearance is from a stock photo site, a different event, or a year before the claimed date, the caption is lying about the image. ## Primary Source Verification Many claims are attributed to "a study," "experts say," or "research shows" without naming the study. Your job is to find the actual source. **Workflow:** 1. Search for the specific claim plus the word "study." 2. If a study is named or linked, open the actual paper (not a press release). 3. Read the abstract and the conclusion. Often the paper says something different, narrower, or more tentative than the coverage claims. 4. Check the methodology section for obvious red flags: tiny sample size, no control group, self-reported data, industry funding without disclosure. A surprising fraction of viral science coverage misrepresents its own underlying research. This is usually not malicious -- it is the compression step from paper to headline, and compression loses caveats. ## Common Misinformation Tactics Knowing the tactics makes them easier to see. ### False context A real image or video is presented with a false caption. The content is authentic but the framing is wrong. Reverse image search i
Major art movements and their historical context for art education. Covers 12 movements from the Renaissance to contemporary art, their defining characteristics, key artists, signature works, and the intellectual/social forces that produced them. Use when analyzing artworks in historical context, understanding stylistic lineages, identifying influences across periods, or connecting studio practice to art-historical precedent.
Color theory principles for art education. Covers the three color properties (hue, saturation, value), color mixing systems (subtractive and additive), color relationships (complementary, analogous, triadic, split-complementary), color temperature, simultaneous contrast and the relativity of color perception, and practical palette construction. Use when analyzing color in artworks, planning color schemes, understanding optical phenomena in painting, or investigating Albers's Interaction of Color experiments.
The creative process in art from idea to exhibition. Covers five phases of creative work (inspiration, incubation, exploration, execution, reflection), sketchbook practice, artist statements, critique methodology (formal and conceptual), portfolio development, and the studio as a working environment. Use when guiding students through project development, facilitating critique sessions, developing artist statements, curating portfolios, or understanding how professional artists structure their creative practice.
Digital art tools, techniques, and workflows for art education. Covers raster and vector workflows, digital painting, photo manipulation, generative and procedural art, 3D modeling and rendering, pixel art, the relationship between traditional skills and digital execution, and ethical considerations of AI-generated imagery. Use when working with digital tools, evaluating digital art, or bridging traditional art concepts into digital practice.
Observational drawing and visual perception techniques for art education. Covers contour drawing, gesture drawing, negative space, proportion and measurement, value mapping, spatial depth cues, and the cognitive shift from symbolic to perceptual seeing. Use when teaching drawing fundamentals, analyzing observational accuracy, or developing visual literacy in any medium.
Three-dimensional art and sculptural thinking for art education. Covers additive and subtractive sculptural processes, armature construction, modeling in clay, carving principles, casting and moldmaking, assemblage and found-object sculpture, installation art as expanded sculpture, and the conceptual transition from pictorial to spatial thinking. Use when working with three-dimensional media, analyzing sculptural form, understanding spatial composition, or investigating the relationship between sculpture and site.
Celestial coordinate systems and sky positioning. Covers horizon (altitude-azimuth), equatorial (right ascension-declination), ecliptic, and galactic systems; epoch and precession; coordinate transformations; planisphere use; and practical sky-locating from any latitude and date. Use when locating objects, planning observations, converting catalog coordinates, or teaching the geometry of the sky.
Observational cosmology from Hubble's law to the CMB. Covers redshift, Hubble expansion, the cosmological parameters, the cosmic microwave background, large-scale structure, galaxy rotation curves and dark matter, Type Ia SNe and dark energy, and the current state of Lambda-CDM. Use when reasoning about the large-scale universe, interpreting cosmological surveys, or teaching the Big Bang evidence chain.